The Thus-Far Completed
Collective Works, Autobiographical Paragraph
And Documented Experiences
Of the Great and Epically Astounding
Erastos Smith
(aka: the artist formerly known as Allotosis de Groot)
(by Sarah Johnson)
My name is Allotosis de Groot. Everyone calls me Tos though. But I always lie, so don’t take their word for it. I’m just happy I don’t have my mother’s last name, Hoogaboom. While de Groot means “tall man”, Hoogaboom means “tall tree”. Either way, I don’t fit the build, so it might as well be something that isn’t so embarrassing to say out loud. Not that being Dutch is embarrassing, it’s wonderful. The cooking is anyway. My mother’s secret Hollandaise sauce is legendry within the family, and I’ve never been known to miss a meal, despite the appearance of my slight build. Regardless, being culturally associated by a name can be troublesome, so I have long since changed my name to Erastos Smith (which is Greek/Old English for “love maker”). With fair hair and light, clear, blue eyes, (you know, like the new-century James Bond), you’d think I was successful with the ladies. However, all throughout high school I struggled with a severe acne problem, and I rarely thought to consider the state of my clothes. Consequently, my confidence levels plummeted. This is only a reflection of my tortured childhood where I lost my mother and father at the age of 6 in a tragic Buffalo goring accident at Old Faithful on the fourth of July. I have repressed every memory form that day until the first day of high school, when I invariably woke up to find myself slipping away from reality. I decided to turn my act around, and, despite my acne and lack of fresh wardrobe, became very popular. My epic success was created into a television show, and I became an icon for struggling teens. This also did not increase my dating life, but that’s just because I was always wary of women wanting me only for my fame. Later on in college, I lost two front teeth playing D1 rugby for my Alma matter, Princeton, where I also graduated Phi Beta Kappa. With this battle wound, I figured I had a pretty good shot to at least get some sympathy from the female crowd, but then I decided it wasn’t worth my time. I took a risk, because great risk brings great reward, and I flew to Africa to climb Mount Kilimanjaro (I’d heard once that it was the easiest of the 7 summits. This is a lie). I became a nearly famous climber and spent the latter half of that year traveling the world, showcasing my new book, “A Mountainous Series”, depicting all of my epic climbing feats of the last half century or so, at the young age of 26. This was reminiscent of my childhood, when, at 9 years old, I wrote a book about dating women. Now, my book was extremely successful but I wrote under an alias, and was never given public credit, though I was well-paid, and despite the fact that I was repressing my memories I do remember this clearly. However, I sold the copyright, and saw it reappear in the news just the other day under a new alias. I hope that kid knows he’s in for a lifelong success story. After I abandoned my book tour, I stumbled upon New York City. A wealthy philanthropist found me sketching pigeons in a park, and begged me to join him as a protégée of the arts. How could I refuse? I became a comic book writer, living on the Upper East Side. Fortuitously, one of the shops that sold my comics was actually located next to a coffee shop. One evening I stopped in for a latte, and who was there, but the most beautiful woman I’d ever seen. I immediately gave up comics and caviar and moved to a bohemian flat in the former alphabet city, grew a scruffy beard and started writing agonized poetry on coffee-stained napkins. I tried for months to catch her eye as I poured my soul out in that coffee shop, night after night, but my efforts were fruitless. I took my infatuation and moved to sunny Arizona, to escape my newly-developed alcoholism. It was at an AA program there where I finally found my true calling.
Opening shot, Fade in with the call of a loon, camera pans across lake with sun rising through gap in peaks; mist is rising off the water as birds begin to chirp. Cut to TOS, sitting in a rustic, carved wooden chair in a log cabin with a bearskin rug on the floor, looking out a wall-sized window. TOS stands and takes a deep drag from tall, sweating glass of E-Z SQZ, turns pointedly to the camera.
TOS:
I’ve never been one to brag, but, as I’m sure you’ve heard by now, I’m one of the best climbers in the world. How many people do you know that can say they’ve scaled Mount Kilimanjaro, over 29,029 feet of treacherous slope, in just one day? I know, it’s impressive. But don’t be intimidated by my astounding abilities and rugged good looks, I’m just like you. I, like you and your neighbor, wake up everyday, and pour myself a glass of delicious, mouthwatering E-Z SQZ orange Juice (the juice that hiked to the highest peak in Africa), and I watch the sun rise over the lake, with the mist steaming into the sunlight. It’s what keeps me going through the day. And I want you to know what it feels like.
Cut to shot of Kilimanjaro with gazelles leaping in the foreground, ensuing montage of Africa clips rolls during next monologue…
What the hell is this bullshit? “I want you to know what it feels like?” Are they serious? Do they think my expert climbing expertise can be so easily sold? I hope they’re joking, because if not, this deal is off. I did NOT climb all of that way, lugging a bottle of that damn juice, in the climbing off-season to have this be my claim to fame. I practically trained my whole life for this, and the best they’ve got it is the Maine Wilderness as a comparison to Africa. If I weren’t beholden to them via an unbreakable contract, I would break my contract.
A Love Herald for Melina, the Lovely
By Erastos Smith
To be a rock
Or to be the bed.
Bedrock. Fire of the Volcanic Lakes.
The question is in
and under-all
Under God, a line unspoken
Truth be told
Told of the token
Eternally smoldering,
The passion in your eyes is consuming
Grasping
Choking. Me.
I enter the death throws of wild
ecstasy,
thinking of your freckled nose and curled eyelashes
I yearn for you to return
here,
and answer my call.
My Melina.
13 comments:
I like how you setup the narrator of the Allotosis story as untrustworthy right from the beginning. Sounds a lot like something I suggested to you, that you dismissed at the time. hmm
This is insanely funny. What I liked most about it was that it wasn't getting old. I finished reading and wanted more five minutes later. One thing I kind of got lost in was Malina... was she the lady from the coffee shop or a new advendure for Erastos?
I like the different genres that you write in (story, poetry, scene [play], etc.). It adds depth to the life of Allotosis/Erastos, and helps reveal how he changed as a person, as well as his profession. I like that we don't know every little detail about his life, since, in fact, the story is about his works. I personally love that he was a writer at such an early age, and unafraid of being adventurous and injuring himself, for the sake of female attention. The humor of the story is not obvious, and is enjoyable, while revealing who the narrator is as a person.
There were a few grammatical things that might need changing, and capitalization (i.e.: orange Juice), etc...
I like the humor of Tos's claims. His tall tales are so ridiculous that it adds a lot of humor. I think it would be interesting if Tos didn't say that he liked to lie a lot. I think it would add to the "untrustworthiness" B Hand mentions. I really like the cut from memoir straight to commercial because it is written in such a way that we can tell right away that it is a commercial.
You did a really good job with this story. I really like the opening memoir about Allotosis's life. You made it really funny and very interesting. I also really like the scene in which Allotosis is talking about climbing Mt. Kilimanjaro. It was funny how cocky you made him and how he plugged e z squeeze orange juice as the juice that climbed Mt. Kilimanjaro.
I think the switches in mediums is one of the really strong and interesting things you have going on here. The Love Herald for Melina particularly is where I feel what's 'at stake' shows up, which is exciting. Despite the fact that you've created an unreliable narrator (which I like, anyway,) Tos is still a character I like and care about. I think that's because from stuff like the poem to Melina, I think he sounds genuine, which is in contrast to his general shadiness - so that's an interesting tension to maintain that I think you've done a good job of so far.
- I like the reference to the 9-year-old boy who just wrote a book about talking to women. That story was hilarious.
- It seems like there is a kind of absurdist humor in this piece. I really like that and I think you could take it even further.
- I love the melodramatic tone.
- This fictional kind of autobiography/collected works is a great idea. It really makes me feel like I was slacking off when I came up with the idea for my project.
I liked the tone of the story, and how straight forward Allotosis is in the beginning; "But I always lie, so don’t take their word for it". I thought that was an interesting way to start it.
I totally agree with what Alex said about the nine year old boy. That really was hilarious. The humor in this makes me happy, and I want to read more. I got lost a bit in Melina as well, but maybe that's just because... well, no, I don't know why. Good, fun work.
I like your elaborate details throughout the story. It's really funny and in addition to the fact that he tells us not to trust him the exagerated details help the reader know not to take him too seriously. Also, I like the poem he wrote, to me it sounds like it would be the interpretation of a mating call for melina. The only wording I would change is when you repeat the word contract(break my contract) at the end.
So, I thoroughly enjoyed reading this. It was very interesting, and I liked how the writing styles varied as it goes on. It gave it depth, and it didn't leave me getting bored and tired of it.
I can't wait to read more.
And, I think that one thing that could be specified is the woman from the coffee shop. Is she Melina? Or, is this Melina a new person entirely?
I really like the mixing of forms in this piece. I am glad to see someone writing in a script form, even if it is only for part of it. The opening narration was very good, very clever. It was fun and rather wacky. It'd twist the mind only slightly, in a fun and nonconfusing way. This piece is a trip into another world. It's crazy and fun. This was very fun to read and very unique and interesting.
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